1 00:00:01,044 --> 00:00:03,481 [dark music] 2 00:00:03,525 --> 00:00:06,093 - I like supernatural, I like monsters... 3 00:00:06,136 --> 00:00:08,878 [suspenseful music] 4 00:00:08,921 --> 00:00:10,445 - "Alien" was the first movie 5 00:00:10,488 --> 00:00:13,230 that I legitimately thought I had a disease afterward. 6 00:00:13,274 --> 00:00:16,016 - [screams] - [screams] 7 00:00:16,059 --> 00:00:17,843 - [moaning] 8 00:00:17,887 --> 00:00:21,108 - John Carpenter's "The Thing" is the greatest monster movie 9 00:00:21,151 --> 00:00:22,326 ever made. 10 00:00:23,545 --> 00:00:25,112 - [snarls] 11 00:00:25,155 --> 00:00:28,637 - The world of "A Quiet Place" felt very real. 12 00:00:28,680 --> 00:00:31,074 Even an audience member, what you're drawn in with 13 00:00:31,118 --> 00:00:32,380 is that you can't make a sound. 14 00:00:32,423 --> 00:00:34,686 ♪ 15 00:00:34,730 --> 00:00:36,297 - [roars] 16 00:00:38,212 --> 00:00:41,302 - I don't think of King Kong as a monster 17 00:00:41,345 --> 00:00:42,999 because you love him. 18 00:00:43,043 --> 00:00:44,740 The real monsters are those bastards shooting him. 19 00:00:44,783 --> 00:00:47,047 - [roars] 20 00:00:47,090 --> 00:00:50,267 - It's a complete metaphor for the tribulations 21 00:00:50,311 --> 00:00:54,489 of the black male in American white society. 22 00:00:54,532 --> 00:00:56,882 - [laughing] 23 00:00:56,926 --> 00:00:58,623 - Monsters are a different thing to different people. 24 00:00:58,667 --> 00:01:01,104 - [breathing heavily] 25 00:01:01,148 --> 00:01:04,673 - Some people are afraid of that huge ugly monster, 26 00:01:04,716 --> 00:01:06,805 and some people are afraid of the existential monster. 27 00:01:06,849 --> 00:01:08,503 - [laughs] - [screams] 28 00:01:08,546 --> 00:01:12,115 - But if you can't kill it, well, there's no real story. 29 00:01:12,159 --> 00:01:13,508 - [roars] 30 00:01:13,551 --> 00:01:14,770 - [screeches] - Oh! 31 00:01:14,813 --> 00:01:16,119 - [roars] 32 00:01:16,163 --> 00:01:18,426 ♪ 33 00:01:18,469 --> 00:01:20,297 - [screams] 34 00:01:20,341 --> 00:01:23,257 [scary music] 35 00:01:23,300 --> 00:01:30,220 ♪ 36 00:01:31,047 --> 00:01:33,745 - [screaming] 37 00:01:47,237 --> 00:01:49,370 ♪ 38 00:01:49,413 --> 00:01:50,980 narrator: Horror is a big tent 39 00:01:51,023 --> 00:01:53,025 with room for a circus full of attractions. 40 00:01:53,069 --> 00:01:54,766 - Aah! [gunshot] 41 00:01:54,810 --> 00:01:57,595 narrator: Outrageous slashers... 42 00:01:57,639 --> 00:01:59,336 Apocalyptic comedies... 43 00:01:59,380 --> 00:02:01,121 [roaring and gunshots] 44 00:02:01,164 --> 00:02:03,297 Cringe inducing body horror... 45 00:02:03,340 --> 00:02:04,472 ♪ 46 00:02:04,515 --> 00:02:07,170 - [roars] 47 00:02:07,214 --> 00:02:09,607 narrator: But many of us first came to the genre 48 00:02:09,651 --> 00:02:11,348 for the monsters. 49 00:02:11,392 --> 00:02:14,177 - Aah! [kids screaming] 50 00:02:14,221 --> 00:02:17,180 - When you're a kid, you want monsters, 51 00:02:17,224 --> 00:02:19,443 and the more monsters the better, 52 00:02:19,487 --> 00:02:21,097 and if they've got zippers up their back, 53 00:02:21,141 --> 00:02:22,707 that doesn't matter 54 00:02:22,751 --> 00:02:23,969 as long as they're-- as long as they're monsters. 55 00:02:24,013 --> 00:02:27,234 - [roaring] 56 00:02:27,277 --> 00:02:29,410 - Later you get a little bit more discerning, 57 00:02:29,453 --> 00:02:31,716 and you start to realize maybe the less you see the monster, 58 00:02:31,760 --> 00:02:32,978 the scarier he might be. 59 00:02:36,156 --> 00:02:39,202 narrator: There may be no better example 60 00:02:39,246 --> 00:02:41,900 of the power of slowly revealing a monster 61 00:02:41,944 --> 00:02:44,381 than Ridley Scott's "Alien." 62 00:02:44,425 --> 00:02:50,300 [dramatic music] 63 00:02:50,344 --> 00:02:53,477 - "Alien" was the first movie I saw 64 00:02:53,521 --> 00:02:57,089 that I legitimately thought I had a disease afterwards. 65 00:02:57,133 --> 00:03:01,485 It made me so incredibly anxious and uncomfortable. 66 00:03:01,529 --> 00:03:05,228 - [hissing] 67 00:03:05,272 --> 00:03:08,231 - It was all about the mouth inside the mouth. 68 00:03:08,275 --> 00:03:12,453 That shiny slick chrome dome 69 00:03:12,496 --> 00:03:16,239 with the mouth that comes out. 70 00:03:16,283 --> 00:03:18,720 Krikik! Chhhk! 71 00:03:18,763 --> 00:03:21,026 Pfft! Ugh. 72 00:03:22,376 --> 00:03:24,595 - Get out of the room! 73 00:03:24,639 --> 00:03:28,382 narrator: "Alien" grew out of a film called "Dark Star" 74 00:03:28,425 --> 00:03:32,124 made by two promising USC film students, 75 00:03:32,168 --> 00:03:34,388 John Carpenter and Dan O'Bannon. 76 00:03:34,431 --> 00:03:37,347 O'Bannon took his comedic premise, 77 00:03:37,391 --> 00:03:40,524 bedraggled astronauts doing battle with a monster 78 00:03:40,568 --> 00:03:42,787 in a beaten up spaceship, 79 00:03:42,831 --> 00:03:44,833 and turned it into one of the scariest screenplays 80 00:03:44,876 --> 00:03:46,138 of all time. 81 00:03:46,182 --> 00:03:48,750 - [screeching] 82 00:03:51,143 --> 00:03:52,841 narrator: "Alien" tells the story 83 00:03:52,884 --> 00:03:54,973 of a commercial starship crew 84 00:03:55,017 --> 00:03:57,019 diverted from their mission 85 00:03:57,062 --> 00:03:59,630 by a mysterious order from their employers 86 00:03:59,674 --> 00:04:01,937 known only as The Company. 87 00:04:01,980 --> 00:04:06,724 - Seems she has intercepted a transmission of unknown origin. 88 00:04:06,768 --> 00:04:08,030 She got us up to check it out. 89 00:04:08,073 --> 00:04:09,597 - A transmission? Out here? 90 00:04:09,640 --> 00:04:11,163 - Yeah. 91 00:04:11,207 --> 00:04:13,340 narrator: The film's main characters 92 00:04:13,383 --> 00:04:15,951 are beleaguered Captain Dallas, 93 00:04:15,994 --> 00:04:19,215 no nonsense Warrant Officer Ripley, 94 00:04:19,259 --> 00:04:23,306 and Ash, the science officer with a hidden agenda. 95 00:04:23,350 --> 00:04:26,178 - They come upon these eggs on a planet, 96 00:04:26,222 --> 00:04:31,140 and while exploring, one of them is infected. 97 00:04:31,183 --> 00:04:33,534 - [screaming] 98 00:04:33,577 --> 00:04:35,187 - The creature, 99 00:04:35,231 --> 00:04:37,015 which would come to be known as a facehugger, 100 00:04:37,059 --> 00:04:38,843 you know, has attached itself to his face, 101 00:04:38,887 --> 00:04:40,889 nobody knows what's going on, 102 00:04:40,932 --> 00:04:42,804 and then of course, all hell breaks loose. 103 00:04:42,847 --> 00:04:44,719 [high pitched tone] - Good God. 104 00:04:44,762 --> 00:04:47,678 [sizzling] 105 00:04:49,332 --> 00:04:52,509 - The crap's gonna eat through the hull. 106 00:04:52,553 --> 00:04:54,163 - The performances in that movie are phenomenal. 107 00:04:54,206 --> 00:04:57,862 I mean, the famous chestburster scene, 108 00:04:57,906 --> 00:05:01,997 it is--I think the reason it's so potent 109 00:05:02,040 --> 00:05:04,782 is because of the lead up to it feels so natural, 110 00:05:04,826 --> 00:05:07,437 making it feel so familiar to you. 111 00:05:07,481 --> 00:05:10,875 - The food ain't that bad, man.[laughs] 112 00:05:11,659 --> 00:05:13,922 - You've been in a restaurant, you've been in a diner, 113 00:05:13,965 --> 00:05:15,837 you've seen somebody, maybe someone started choking, 114 00:05:15,880 --> 00:05:18,535 or someone has a heart attack. 115 00:05:18,579 --> 00:05:21,886 That panic, it taps into that, and then it takes it into, 116 00:05:21,930 --> 00:05:23,235 "What if a thing burst out of the..." 117 00:05:23,279 --> 00:05:24,454 [laughs] 118 00:05:24,498 --> 00:05:27,762 - [screams] - [screams] 119 00:05:27,805 --> 00:05:29,981 - It takes it to this other level, 120 00:05:30,025 --> 00:05:31,809 which is, um, so brilliant. 121 00:05:33,420 --> 00:05:34,638 - [screeches] - Aah! 122 00:05:34,682 --> 00:05:36,814 Oh! [moans] 123 00:05:36,858 --> 00:05:39,687 Oh, God! 124 00:05:39,730 --> 00:05:42,167 - It's obviously this kind of perverse 125 00:05:42,211 --> 00:05:44,996 gender reversed birth scene, right? 126 00:05:45,040 --> 00:05:46,520 - [squeals] 127 00:05:46,563 --> 00:05:51,307 ♪ 128 00:05:51,351 --> 00:05:53,091 narrator: The crew learns the hard way that, 129 00:05:53,135 --> 00:05:55,311 an insect, the monster undergoes 130 00:05:55,355 --> 00:05:57,879 a dramatic metamorphosis, 131 00:05:57,922 --> 00:06:00,969 and to their bosses, it's a valuable commodity. 132 00:06:01,012 --> 00:06:04,886 - [screaming] 133 00:06:04,929 --> 00:06:07,410 - They have no way 134 00:06:07,454 --> 00:06:09,020 of understanding what they're up against. 135 00:06:09,064 --> 00:06:11,022 The corporation is hiding it from them. 136 00:06:11,066 --> 00:06:13,634 The only person on the crew who understands 137 00:06:13,677 --> 00:06:15,897 is the--the robot, the AI guy, you know, 138 00:06:15,940 --> 00:06:17,899 whose lying the whole time. 139 00:06:17,942 --> 00:06:21,903 - The company views its employees 140 00:06:21,946 --> 00:06:24,209 as expendable, but... 141 00:06:24,253 --> 00:06:28,126 the creature, which is not even a person 142 00:06:28,170 --> 00:06:29,693 or being of any kind, 143 00:06:29,737 --> 00:06:33,218 is more valuable than the people 144 00:06:33,262 --> 00:06:35,133 that they have employed. 145 00:06:35,177 --> 00:06:38,267 - There is an explanation for this, you know? 146 00:06:38,310 --> 00:06:40,312 - [mutters] 147 00:06:40,356 --> 00:06:42,924 narrator: "Alien's" dark view of labor relations 148 00:06:42,967 --> 00:06:45,361 was a challenge to the status quo, 149 00:06:45,405 --> 00:06:48,320 as was the film's disturbing production design 150 00:06:48,364 --> 00:06:52,586 which powerfully associated sex with death. 151 00:06:52,629 --> 00:06:55,458 H.R. Giger's biomechanical designs 152 00:06:55,502 --> 00:06:58,896 played on the audience's deepest sexual anxieties. 153 00:07:01,508 --> 00:07:03,553 - There's this Freudian term "Overdetermination." 154 00:07:03,597 --> 00:07:05,076 An object in a dream 155 00:07:05,120 --> 00:07:08,036 may have 15, 20, 1,000 different meanings. 156 00:07:08,079 --> 00:07:10,952 "Alien" is probably the--the greatest example 157 00:07:10,995 --> 00:07:12,432 of a movie that's overdetermined 158 00:07:12,475 --> 00:07:13,563 in every possible direction, 159 00:07:13,607 --> 00:07:15,565 because you have this space ship 160 00:07:15,609 --> 00:07:17,175 that is basically shaped like 161 00:07:17,219 --> 00:07:19,308 the lower half of a woman's body 162 00:07:19,351 --> 00:07:20,875 with this vast vaginal opening in it, 163 00:07:20,918 --> 00:07:24,226 and inside this vaginal opening are these eggs 164 00:07:24,269 --> 00:07:26,881 that pop open and reveal these marauding penises 165 00:07:26,924 --> 00:07:29,057 that impregnate people through their mouths 166 00:07:29,100 --> 00:07:31,146 and make them burst open 167 00:07:31,189 --> 00:07:33,627 and give birth to further marauding penises. 168 00:07:33,670 --> 00:07:35,933 This is the essence of overdetermination. 169 00:07:35,977 --> 00:07:38,501 There's-- How do you pick this apart? 170 00:07:38,545 --> 00:07:40,416 narrator: The film's sexual politics, 171 00:07:40,460 --> 00:07:42,331 subversive for its time, 172 00:07:42,374 --> 00:07:44,855 are embodied in the figure of Ripley, 173 00:07:44,899 --> 00:07:48,511 played by "Alien's" breakout star, Sigourney Weaver. 174 00:07:48,555 --> 00:07:50,992 - "Alien," 1979, 175 00:07:51,035 --> 00:07:54,386 had a female hero. An unexpected female hero. 176 00:07:54,430 --> 00:07:57,172 - Who gets to go into the vent? - I do. 177 00:07:57,215 --> 00:07:58,869 - No. 178 00:07:58,913 --> 00:08:01,045 - Ridley Scott sets up the movie 179 00:08:01,089 --> 00:08:04,527 where Dallas is the hero until Dallas is killed. 180 00:08:04,571 --> 00:08:07,269 - Wait, the other way! [beeping] 181 00:08:08,923 --> 00:08:11,142 [static] - Dallas? 182 00:08:11,186 --> 00:08:13,405 - So that movie completely flips 183 00:08:13,449 --> 00:08:16,887 in a way most movies couldn't even have imagined back then. 184 00:08:16,931 --> 00:08:20,935 Ripley becomes the iconic hero. 185 00:08:20,978 --> 00:08:23,981 [fan thumping] 186 00:08:24,025 --> 00:08:26,288 narrator: By the end, 187 00:08:26,331 --> 00:08:28,290 only Ripley is able to escape the doomed spaceship. 188 00:08:28,333 --> 00:08:30,118 [explosion] 189 00:08:30,161 --> 00:08:33,469 But the greatest test of her heroism is yet to come. 190 00:08:33,513 --> 00:08:36,124 - I think it is one of the most terrifying scenes 191 00:08:36,167 --> 00:08:39,388 in any movie is that last part of "Alien." 192 00:08:39,431 --> 00:08:41,129 ♪ 193 00:08:41,172 --> 00:08:44,698 - When she's alone in the--in the escape pod, 194 00:08:44,741 --> 00:08:47,265 she's gonna go to sleep, it's gonna be fine, 195 00:08:47,309 --> 00:08:49,006 and then she realizes the alien's in there, 196 00:08:49,050 --> 00:08:50,442 and that it's in the wall. 197 00:08:50,486 --> 00:08:52,488 - Aah! 198 00:08:52,532 --> 00:08:54,011 - It's like getting in your car 199 00:08:54,055 --> 00:08:57,101 and realizing there's a big python in the backseat, 200 00:08:57,145 --> 00:08:58,581 and you turn around, 201 00:08:58,625 --> 00:09:00,757 and the thing just starts to kinda uncoil, 202 00:09:00,801 --> 00:09:02,890 and at some point, it's gonna realize 203 00:09:02,933 --> 00:09:06,894 I'm in--in the car with it. [laughs] 204 00:09:06,937 --> 00:09:08,591 And this is not gonna be good. 205 00:09:08,635 --> 00:09:09,766 What do I do? 206 00:09:09,810 --> 00:09:13,988 - [heavy breathing] 207 00:09:14,031 --> 00:09:15,946 - You know, it's just one of those wonderful, like, 208 00:09:15,990 --> 00:09:20,429 so well-conceived moments of horrific suspense. 209 00:09:20,472 --> 00:09:22,649 - [screams] 210 00:09:27,654 --> 00:09:29,699 - And what a beautifully paced film. 211 00:09:29,743 --> 00:09:32,702 It was so slow and patient and quiet 212 00:09:32,746 --> 00:09:34,704 and still, 213 00:09:34,748 --> 00:09:38,969 and uh, always that-- that trembling horror 214 00:09:39,013 --> 00:09:41,015 beneath the surface. 215 00:09:41,058 --> 00:09:43,147 ♪ 216 00:09:43,191 --> 00:09:45,497 narrator: One alien trapped on one spaceship 217 00:09:45,541 --> 00:09:46,586 is frightening enough... 218 00:09:49,023 --> 00:09:51,199 - But what if a horde of alien monsters 219 00:09:51,242 --> 00:09:54,115 overran Earth? 220 00:09:59,076 --> 00:10:02,427 [humming] [zapping] 221 00:10:02,471 --> 00:10:04,386 - [screams] 222 00:10:04,429 --> 00:10:06,649 narrator: Monsters from outer space invading planet Earth. 223 00:10:06,693 --> 00:10:09,739 - [roars] 224 00:10:09,783 --> 00:10:11,523 narrator: They've been a staple of horror movies 225 00:10:11,567 --> 00:10:12,786 since the 1950s. 226 00:10:12,829 --> 00:10:15,745 - [screaming] 227 00:10:15,789 --> 00:10:18,835 narrator: And just when you think it's all been done... 228 00:10:18,879 --> 00:10:20,794 someone comes along 229 00:10:20,837 --> 00:10:23,623 and breathes new life into the genre. 230 00:10:26,364 --> 00:10:28,192 narrator: Someone like John Krasinski 231 00:10:28,236 --> 00:10:30,368 with his wildly successful film, 232 00:10:30,412 --> 00:10:32,327 "A Quiet Place." 233 00:10:32,370 --> 00:10:37,506 - [screaming] 234 00:10:37,549 --> 00:10:39,551 - The plot of "A Quiet Place" 235 00:10:39,595 --> 00:10:43,730 is that a new invasive predatory species 236 00:10:43,773 --> 00:10:46,080 has attacked the human race. 237 00:10:46,123 --> 00:10:47,777 [uneasy violin music] 238 00:10:47,821 --> 00:10:50,345 - [growls] 239 00:10:50,388 --> 00:10:53,609 - And these new creatures hunt us 240 00:10:53,653 --> 00:10:56,830 and have exterminated, probably most of us 241 00:10:56,873 --> 00:10:59,615 and they have done it through sound. 242 00:10:59,659 --> 00:11:01,356 [tense music] 243 00:11:01,399 --> 00:11:05,273 ♪ 244 00:11:05,316 --> 00:11:07,057 So the only way humans are going to survive 245 00:11:07,101 --> 00:11:09,669 is if they stay quiet, 246 00:11:09,712 --> 00:11:12,628 and we follow a family which is trying to survive 247 00:11:12,672 --> 00:11:15,413 on the fringes of the planet, 248 00:11:15,457 --> 00:11:18,765 trying to carve out an existence in a farmhouse 249 00:11:18,808 --> 00:11:21,463 in a world where we are no longer 250 00:11:21,506 --> 00:11:22,594 the top of the food chain. 251 00:11:24,640 --> 00:11:26,033 [beeping tune] 252 00:11:26,076 --> 00:11:28,644 - [snarls] 253 00:11:28,688 --> 00:11:30,994 - You're immediately thrown into this world 254 00:11:31,038 --> 00:11:33,214 where you got John Krasinski, Emily Blunt, and their family 255 00:11:33,257 --> 00:11:36,347 who are just-- They've got a ritual now. 256 00:11:36,391 --> 00:11:39,002 Like, they have a ritual to their day to day life, 257 00:11:39,046 --> 00:11:41,004 and I think the movie does it so brilliantly 258 00:11:41,048 --> 00:11:44,312 showing you they only have to step on 259 00:11:44,355 --> 00:11:47,445 these parts of the road, they can't step on that. 260 00:11:47,489 --> 00:11:49,056 ♪ 261 00:11:49,099 --> 00:11:50,840 - It's such an immersive film, 262 00:11:50,884 --> 00:11:52,842 that what-- even as an audience member, 263 00:11:52,886 --> 00:11:55,279 what you're drawn in with is that you can't make a sound. 264 00:11:55,323 --> 00:11:57,934 [tense music] 265 00:11:57,978 --> 00:11:59,370 - [grunts] 266 00:12:02,896 --> 00:12:04,854 - Even the people eating popcorn next to you 267 00:12:04,898 --> 00:12:07,509 are making you jump. 268 00:12:07,552 --> 00:12:12,340 ♪ 269 00:12:12,383 --> 00:12:15,256 - What I admire so much about "A Quiet Place" 270 00:12:15,299 --> 00:12:17,562 is that everything that happens 271 00:12:17,606 --> 00:12:21,001 and the whole--the whole setup of the movie is--is organic. 272 00:12:22,219 --> 00:12:23,307 - [screeches] 273 00:12:27,529 --> 00:12:29,531 - The idea of sound 274 00:12:29,574 --> 00:12:31,402 being the enemy really. 275 00:12:31,446 --> 00:12:34,971 So having a deaf character in the movie is genius 276 00:12:35,015 --> 00:12:38,018 because conflict is immediately established. 277 00:12:38,061 --> 00:12:42,457 [no sound] 278 00:12:42,500 --> 00:12:43,980 narrator: For much of the film, 279 00:12:44,024 --> 00:12:46,069 the monsters are only seen at a distance. 280 00:12:46,113 --> 00:12:47,810 - [roar] 281 00:12:50,204 --> 00:12:52,510 narrator: They're mysterious and unstoppable. 282 00:12:52,554 --> 00:12:53,990 ♪ 283 00:12:54,034 --> 00:12:57,211 - [snarling and roaring] 284 00:12:57,254 --> 00:12:59,169 - When you can't see them clearly, 285 00:12:59,213 --> 00:13:00,910 your imagination goes to work. 286 00:13:00,954 --> 00:13:02,390 What must they be like? 287 00:13:02,433 --> 00:13:04,000 How revolting are they? 288 00:13:05,872 --> 00:13:07,787 - [snarling] 289 00:13:07,830 --> 00:13:10,224 - "A Quiet Place" creature, at the end of the day, 290 00:13:10,267 --> 00:13:12,008 was an extremely fast, you know, 291 00:13:12,052 --> 00:13:15,969 a blur of-- of just limbs going by. 292 00:13:16,012 --> 00:13:19,363 So we looked at all sorts of creature forms, 293 00:13:19,407 --> 00:13:22,976 proportions, to try and find the right one for John. 294 00:13:23,019 --> 00:13:25,630 I saw those elements that he happened to like, 295 00:13:25,674 --> 00:13:28,633 these long attenuated front legs 296 00:13:28,677 --> 00:13:32,637 and kinda like that hyena low squat with the hind legs. 297 00:13:32,681 --> 00:13:34,726 - [snarls] 298 00:13:34,770 --> 00:13:36,903 narrator: To survive, the film's heroes 299 00:13:36,946 --> 00:13:39,731 have to find the monsters' hidden weakness. 300 00:13:39,775 --> 00:13:42,952 - There needs to be an Achilles' heel. 301 00:13:42,996 --> 00:13:47,174 If you can't kill it, then well, there's no real story. 302 00:13:47,217 --> 00:13:49,132 The Achilles' heel of this creature 303 00:13:49,176 --> 00:13:50,699 was the fact that it was a giant ear. 304 00:13:50,742 --> 00:13:53,745 [loud ticking] 305 00:13:53,789 --> 00:13:57,706 [timer ticking] 306 00:13:57,749 --> 00:13:59,403 [rings] 307 00:13:59,447 --> 00:14:01,928 - [snarls] 308 00:14:01,971 --> 00:14:05,888 - Having this Achilles' heel allowed there to be a way 309 00:14:05,932 --> 00:14:10,762 to have a narrative arc that we have this discovery, 310 00:14:10,806 --> 00:14:14,723 and we have a weapon now to hopefully take them down. 311 00:14:14,766 --> 00:14:17,030 [feedback tones] 312 00:14:17,073 --> 00:14:19,554 - [snarls] 313 00:14:25,908 --> 00:14:28,868 - And there's such an emotional charge at the end 314 00:14:28,911 --> 00:14:31,044 when Emily Blunt and her daughter 315 00:14:31,087 --> 00:14:33,089 discover how to take these things out. 316 00:14:33,133 --> 00:14:35,352 I saw the movie at South by Southwest 317 00:14:35,396 --> 00:14:38,834 and when she cocks that shotgun, 318 00:14:38,878 --> 00:14:42,490 the entire audience lost their minds 319 00:14:42,533 --> 00:14:46,668 because what Krasinski did so well 320 00:14:46,711 --> 00:14:49,671 is just take you on a very strong emotional journey 321 00:14:49,714 --> 00:14:51,934 and made it a great creature feature as well. 322 00:14:51,978 --> 00:14:55,720 narrator: "A Quiet Place" had a message about humanity 323 00:14:55,764 --> 00:14:58,071 that is now more relevant than ever. 324 00:14:58,114 --> 00:15:01,291 - What will save us in the end from destroying ourselves 325 00:15:01,335 --> 00:15:04,033 is our ability to adapt. 326 00:15:04,077 --> 00:15:08,559 Most species cannot do that. We can adapt to a new paradigm 327 00:15:08,603 --> 00:15:10,953 especially when survival is on the line. 328 00:15:10,997 --> 00:15:13,260 - [snarls] 329 00:15:13,303 --> 00:15:14,826 narrator: The aliens in "A Quiet Place" 330 00:15:14,870 --> 00:15:16,741 were forces of unstoppable evil. 331 00:15:18,961 --> 00:15:22,356 But one of the most famous monsters of all time 332 00:15:22,399 --> 00:15:26,273 is neither good nor evil-- he's simply Kong. 333 00:15:26,316 --> 00:15:27,535 - [roars] 334 00:15:31,582 --> 00:15:34,063 - He was a king in the world he knew, 335 00:15:34,107 --> 00:15:36,587 but he comes to you now a captive. 336 00:15:36,631 --> 00:15:38,372 Ladies and gentlemen, 337 00:15:38,415 --> 00:15:42,811 I give you, Kong, the eighth wonder of the world! 338 00:15:43,594 --> 00:15:44,247 - [roars] 339 00:15:44,291 --> 00:15:46,467 - [screams] 340 00:15:46,510 --> 00:15:49,470 narrator: From his star making first appearance in 1933... 341 00:15:52,299 --> 00:15:54,344 To his latest incarnation 342 00:15:54,388 --> 00:15:56,129 as an enormous hairy superhero... 343 00:15:56,172 --> 00:15:58,609 - [roars] 344 00:15:58,653 --> 00:16:00,524 King Kong has captured the imagination 345 00:16:00,568 --> 00:16:02,135 of every monster lover. 346 00:16:02,178 --> 00:16:05,051 [crowd screaming] 347 00:16:06,530 --> 00:16:08,663 What explains his enduring appeal, 348 00:16:08,706 --> 00:16:12,667 and why, despite its dated special effects, 349 00:16:12,710 --> 00:16:15,235 is the original "King Kong" 350 00:16:15,278 --> 00:16:17,541 still considered one of the greatest monster movies 351 00:16:17,585 --> 00:16:19,717 of all time? 352 00:16:19,761 --> 00:16:24,157 - The original 1933 Kong is-- it's the Beatles. 353 00:16:24,200 --> 00:16:26,202 You know? It's Elvis Presley, it's... 354 00:16:26,246 --> 00:16:27,899 This is what this is. 355 00:16:27,943 --> 00:16:30,467 This is the best version of this thing. 356 00:16:30,511 --> 00:16:32,121 narrator: The story is simple. 357 00:16:32,165 --> 00:16:34,254 A movie producer takes a film crew 358 00:16:34,297 --> 00:16:36,560 to an uncharted tropical island 359 00:16:36,604 --> 00:16:38,910 and discovers the ultimate special effect. 360 00:16:38,954 --> 00:16:40,869 [suspenseful music] 361 00:16:40,912 --> 00:16:42,523 - [screaming] 362 00:16:42,566 --> 00:16:44,612 The towering ape-like monster 363 00:16:44,655 --> 00:16:46,483 the natives call Kong. 364 00:16:46,527 --> 00:16:48,659 - [roars] 365 00:16:48,703 --> 00:16:50,357 - We came here to get a moving picture, 366 00:16:50,400 --> 00:16:51,575 and we found something worth more 367 00:16:51,619 --> 00:16:53,229 than all the movies in the world. 368 00:16:53,273 --> 00:16:55,536 narrator: He captures Kong and takes him to New York 369 00:16:55,579 --> 00:16:57,973 intending to exploit him for profit. 370 00:16:58,017 --> 00:17:01,063 Kong escapes but is undone 371 00:17:01,107 --> 00:17:04,327 by his affection for a dazzling starlet. 372 00:17:04,371 --> 00:17:08,679 In the early 1930s, no one had ever seen anything like it. 373 00:17:08,723 --> 00:17:11,465 "King Kong" was a smash. 374 00:17:13,249 --> 00:17:15,121 - Even though it was made in 1933, 375 00:17:15,164 --> 00:17:17,558 the effects, 376 00:17:17,601 --> 00:17:19,473 the stop-motion animation of the King Kong character 377 00:17:19,516 --> 00:17:22,693 by Willis O'Brien is just really incredibly entertaining. 378 00:17:23,520 --> 00:17:25,435 You know, he fights a giant snake. 379 00:17:25,479 --> 00:17:27,655 He fights an Allosaurus. 380 00:17:27,698 --> 00:17:30,049 He fights pterodactyl. 381 00:17:30,092 --> 00:17:31,659 There's all kinds of great shots 382 00:17:31,702 --> 00:17:33,487 of people being crushed by King Kong's foot. 383 00:17:33,530 --> 00:17:34,749 He's eating people. 384 00:17:34,792 --> 00:17:36,664 - Aah! 385 00:17:36,707 --> 00:17:38,927 - He's destroying things. 386 00:17:38,970 --> 00:17:41,016 So it's really a movie that really delivered. 387 00:17:47,849 --> 00:17:50,808 - There was something dark about it. 388 00:17:50,852 --> 00:17:53,637 The black and white just makes it otherworldly, 389 00:17:53,681 --> 00:17:56,945 and it's the weird sexual edge of it 390 00:17:56,988 --> 00:18:00,209 with Kong and, you know, Ann Darrow. 391 00:18:00,253 --> 00:18:02,255 None of the other movies ever came near it. 392 00:18:02,298 --> 00:18:04,779 - [screaming] 393 00:18:04,822 --> 00:18:07,347 - When you look at the white woman in peril, 394 00:18:07,390 --> 00:18:09,305 which was such a big deal 395 00:18:09,349 --> 00:18:12,091 back in the era when "King Kong" was made, 396 00:18:12,134 --> 00:18:16,138 this idea black male energy as a menace 397 00:18:16,182 --> 00:18:18,880 and as a menace specifically to white women, 398 00:18:18,923 --> 00:18:21,143 and "King Kong," 399 00:18:21,187 --> 00:18:25,147 it seems kind of obvious that there are racial undercurrents. 400 00:18:25,191 --> 00:18:26,627 - [screams] 401 00:18:26,670 --> 00:18:28,977 ♪ 402 00:18:29,020 --> 00:18:30,935 [crowd screaming] 403 00:18:30,979 --> 00:18:33,068 - It's complete metaphor 404 00:18:33,112 --> 00:18:35,549 for the tribulations of the black male 405 00:18:35,592 --> 00:18:38,029 in American white society. 406 00:18:38,073 --> 00:18:41,120 - [speaking German] 407 00:18:49,867 --> 00:18:51,130 - Ah! 408 00:18:51,173 --> 00:18:52,696 [laughs] 409 00:18:52,740 --> 00:18:55,046 - I know a lot of people watched "Inglourious Basterds" 410 00:18:55,090 --> 00:18:57,005 and after that card game, 411 00:18:57,048 --> 00:18:59,181 people went back, and they rewatched the film 412 00:18:59,225 --> 00:19:00,835 in a way that they never had before. 413 00:19:00,878 --> 00:19:02,489 - I'm sure there's quitea few subtextual writers 414 00:19:02,532 --> 00:19:04,578 who've written about itbefore "Basterds." 415 00:19:04,621 --> 00:19:05,622 - I'm not saying that you were the first one 416 00:19:05,666 --> 00:19:07,755 to write about it. - Yeah, yeah. 417 00:19:07,798 --> 00:19:09,409 - But you were the first one to put in a pop culture movie... 418 00:19:09,452 --> 00:19:10,671 - Put it in a pop culture... - That has nothing to do 419 00:19:10,714 --> 00:19:12,151 with King Kong or subtextual slavery. 420 00:19:12,194 --> 00:19:13,456 - Yeah, yeah. 421 00:19:13,500 --> 00:19:14,805 - You're just watching this war movie, 422 00:19:14,849 --> 00:19:16,024 and suddenly you get this nugget of information 423 00:19:16,067 --> 00:19:17,156 that really stuck with a lot of people. 424 00:19:17,199 --> 00:19:18,592 [horrific musical sting] 425 00:19:18,635 --> 00:19:20,550 narrator: Kong of 1933 426 00:19:20,594 --> 00:19:23,901 was created using stop-motion animation. 427 00:19:23,945 --> 00:19:26,295 Small figurines were fabricated, posed, 428 00:19:26,339 --> 00:19:28,558 and photographed one frame at a time, 429 00:19:28,602 --> 00:19:31,953 by cinematic pioneer Willis O'Brien. 430 00:19:31,996 --> 00:19:35,783 - The true auteur of "King Kong" 431 00:19:35,826 --> 00:19:37,480 is Willis O'Brien. 432 00:19:37,524 --> 00:19:39,526 Because if you look at 433 00:19:39,569 --> 00:19:41,919 the original posters of "King Kong," 434 00:19:41,963 --> 00:19:44,748 Kong is far more a monster 435 00:19:44,792 --> 00:19:46,489 and like, he has teeth, that like-- 436 00:19:46,533 --> 00:19:48,230 almost like a saber-toothed tiger. 437 00:19:48,274 --> 00:19:50,101 - Yeah, canine teeth, yeah. - The canine, rrr! 438 00:19:50,145 --> 00:19:53,931 Willis got rid of all of the monstrous touches, 439 00:19:53,975 --> 00:19:55,890 and the whole idea 440 00:19:55,933 --> 00:20:00,286 was to make him as human as possible, 441 00:20:00,329 --> 00:20:03,419 and so we respond to Kong, 442 00:20:03,463 --> 00:20:05,508 not as monster, but as a true character. 443 00:20:05,552 --> 00:20:08,250 That is why 444 00:20:08,294 --> 00:20:11,862 that movie not--not justa movie about a giant monkey. 445 00:20:11,906 --> 00:20:16,389 It's a character that hassurvived since the '30s 446 00:20:16,432 --> 00:20:18,913 as a pop cultural icon. 447 00:20:18,956 --> 00:20:21,872 - [roaring] 448 00:20:25,441 --> 00:20:28,139 - [screaming] 449 00:20:28,183 --> 00:20:30,272 narrator: "King Kong" was so iconic 450 00:20:30,316 --> 00:20:32,274 that no one dared to remake it 451 00:20:32,318 --> 00:20:34,755 until maverick producer Dino De Laurentiis 452 00:20:34,798 --> 00:20:37,105 mounted a production in the mid-1970s. 453 00:20:37,148 --> 00:20:38,976 [dark music] 454 00:20:39,020 --> 00:20:41,588 - My relationship with King Kong is-- 455 00:20:41,631 --> 00:20:45,461 started really with-- with the '70s "King Kong" 456 00:20:45,505 --> 00:20:49,117 with Jeff Bridges and Jessica Lange. 457 00:20:49,160 --> 00:20:51,685 That was amazing to me as a kid. 458 00:20:51,728 --> 00:20:54,078 - "King Kong" is mostly played by Rick Baker 459 00:20:54,122 --> 00:20:55,863 who is an incredible makeup artist. 460 00:20:55,906 --> 00:20:57,430 One of the great guys 461 00:20:57,473 --> 00:20:58,822 and built this incredible ape suit 462 00:20:58,866 --> 00:21:00,476 and really played the character of Kong. 463 00:21:00,520 --> 00:21:03,871 - He wore the mask, and of course, the eyes were his 464 00:21:03,914 --> 00:21:06,830 with contact lenses, and I think that was really key. 465 00:21:06,874 --> 00:21:09,355 You know, everything else, the facial movements, 466 00:21:09,398 --> 00:21:12,445 all of that was done via animatronics. 467 00:21:12,488 --> 00:21:15,143 [crowd screaming] 468 00:21:18,277 --> 00:21:21,758 narrator: In 2005, director Peter Jackson 469 00:21:21,802 --> 00:21:24,021 released a lavish remake of "King Kong" 470 00:21:24,065 --> 00:21:25,936 using photorealistic digital effects. 471 00:21:25,980 --> 00:21:28,025 - [growling] 472 00:21:28,069 --> 00:21:29,940 - I had the time of my life 473 00:21:29,984 --> 00:21:32,813 working on Peter Jackson's "King Kong." 474 00:21:32,856 --> 00:21:35,729 [grand music] 475 00:21:35,772 --> 00:21:39,472 It was his, like, love letter to this old masterpiece. 476 00:21:39,515 --> 00:21:41,691 narrator: Jackson's Kong was in a way 477 00:21:41,735 --> 00:21:43,911 played by another man in a suit-- 478 00:21:43,954 --> 00:21:47,915 a motion capture suit worn by actor Andy Serkis. 479 00:21:47,958 --> 00:21:51,527 Serkis's performance was painted over by a computer 480 00:21:51,571 --> 00:21:54,617 then placed in digital environments. 481 00:21:54,661 --> 00:21:56,576 The technology had changed, 482 00:21:56,619 --> 00:21:59,361 but the story followed the same tragic arc. 483 00:21:59,405 --> 00:22:01,363 - [roars] 484 00:22:01,407 --> 00:22:03,234 [dramatic music] 485 00:22:03,278 --> 00:22:05,715 - I don't think of King Kong as a monster 486 00:22:05,759 --> 00:22:07,717 because you love him. 487 00:22:07,761 --> 00:22:10,372 ♪ 488 00:22:10,416 --> 00:22:12,026 - [roars] 489 00:22:12,069 --> 00:22:14,550 - He's--he's got--he's got a sweetness to him. 490 00:22:14,594 --> 00:22:16,378 You kind of root for him, 491 00:22:16,422 --> 00:22:20,643 and the real monsters are those bastards shooting him. 492 00:22:20,687 --> 00:22:23,951 - Well, gentlemen, the airplanes got him. 493 00:22:23,994 --> 00:22:26,127 [somber music] 494 00:22:26,170 --> 00:22:28,651 - Oh, no.It wasn't the airplanes. 495 00:22:28,695 --> 00:22:31,872 It was beauty killed the beast. 496 00:22:31,915 --> 00:22:33,352 ♪ 497 00:22:33,395 --> 00:22:35,397 - Fly, fly! Three... 498 00:22:35,441 --> 00:22:38,095 - But no monster with good box office truly dies. 499 00:22:38,139 --> 00:22:42,099 - [roaring] 500 00:22:43,144 --> 00:22:44,754 [both screaming] 501 00:22:44,798 --> 00:22:47,714 - [roars] 502 00:22:47,757 --> 00:22:50,586 - "Kong on Skull Island." Like, I watched it, 503 00:22:50,630 --> 00:22:52,196 and I thought, "These fight scenes when he's fight-- 504 00:22:52,240 --> 00:22:53,894 are so spectacular..." 505 00:22:59,378 --> 00:23:01,858 "But I feel like I don't care 506 00:23:01,902 --> 00:23:02,946 that I'm watching it at the same time." 507 00:23:06,036 --> 00:23:08,038 Like, it looks incredible, 508 00:23:08,082 --> 00:23:10,737 but I think it just looks so incredible 509 00:23:10,780 --> 00:23:13,914 that it's, you know, it's kinda like... 510 00:23:13,957 --> 00:23:15,611 sometimes you see an old black and white photo 511 00:23:15,655 --> 00:23:17,091 that's out of focus, 512 00:23:17,134 --> 00:23:18,309 and there's just something about it. 513 00:23:18,353 --> 00:23:20,964 - Each remake of it comes out 514 00:23:21,008 --> 00:23:24,141 and within ten years it is made obsolete. 515 00:23:24,185 --> 00:23:26,230 [suspenseful music] 516 00:23:26,274 --> 00:23:28,581 Because all their special effects have moved on, 517 00:23:28,624 --> 00:23:30,365 and now it's a whole different thing. 518 00:23:30,409 --> 00:23:33,716 But the original "King Kong" always will be a go-to 519 00:23:33,760 --> 00:23:36,327 to both film fans, children seeing the movie, 520 00:23:36,371 --> 00:23:37,851 anything. 521 00:23:37,894 --> 00:23:42,246 - [roaring] 522 00:23:42,290 --> 00:23:44,901 narrator: It took decades for other giant creatures 523 00:23:44,945 --> 00:23:47,861 to challenge King Kong's place on the monster throne. 524 00:23:50,298 --> 00:23:52,822 When they came, they came in droves. 525 00:23:52,866 --> 00:23:56,304 - [roaring] 526 00:24:02,919 --> 00:24:05,269 narrator: The Japanese have a word for them... 527 00:24:05,313 --> 00:24:07,968 [crowd screaming] - [roars] 528 00:24:08,011 --> 00:24:10,231 narrator: Kaiju. 529 00:24:10,274 --> 00:24:11,972 Giant monsters. 530 00:24:12,015 --> 00:24:15,105 [dramatic music] 531 00:24:15,149 --> 00:24:18,935 Oversized and unstoppable, the spawn of the atomic age 532 00:24:18,979 --> 00:24:21,982 have rampaged across movie screens for nearly 70 years. 533 00:24:26,116 --> 00:24:30,686 - You know the atomic bomb brought World War II to an end, 534 00:24:30,730 --> 00:24:32,993 but on one level, it didn't. 535 00:24:36,736 --> 00:24:39,869 It was just the beginning of new anxieties 536 00:24:39,913 --> 00:24:42,176 and new fears 537 00:24:42,219 --> 00:24:44,787 and the prospect of an even more terrifying war to come. 538 00:24:44,831 --> 00:24:48,530 This was where the very new and original 539 00:24:48,574 --> 00:24:51,794 kinds of, uh, fright films of the 1950s 540 00:24:51,838 --> 00:24:54,231 came from--atomic anxieties. 541 00:24:55,755 --> 00:24:58,409 - Five, four, three, 542 00:24:58,453 --> 00:25:00,673 two, one. 543 00:25:00,716 --> 00:25:07,593 ♪ 544 00:25:09,116 --> 00:25:11,074 narrator: To Japanese audiences, 545 00:25:11,118 --> 00:25:14,513 the nightmarish imagery of Ishiro Honda's "Godzilla" 546 00:25:14,556 --> 00:25:16,906 was a jarring reminder of a national trauma. 547 00:25:19,300 --> 00:25:21,432 It was made just after nine years 548 00:25:21,476 --> 00:25:24,305 after atomic bombs leveled the cities of Hiroshima 549 00:25:24,348 --> 00:25:25,698 and Nagasaki. 550 00:25:25,741 --> 00:25:27,569 - [roars] 551 00:25:27,613 --> 00:25:30,572 ♪ 552 00:25:30,616 --> 00:25:32,269 [crowd screaming] 553 00:25:32,313 --> 00:25:33,706 narrator: The film begins 554 00:25:33,749 --> 00:25:35,316 when an H-bomb test rouses Godzilla... 555 00:25:35,359 --> 00:25:38,014 - [roars] - [screams] 556 00:25:38,058 --> 00:25:39,973 narrator: A radioactive monster 557 00:25:40,016 --> 00:25:42,584 addicted to mass destruction. 558 00:25:42,628 --> 00:25:45,282 Haunted scientist, Dr. Serizawa, 559 00:25:45,326 --> 00:25:48,024 has invented a device that could stop the monster 560 00:25:48,068 --> 00:25:49,939 but he's afraid his invention 561 00:25:49,983 --> 00:25:51,767 will be turned into another super weapon. 562 00:25:51,811 --> 00:25:53,943 - [speaking Japanese] 563 00:26:00,820 --> 00:26:02,212 - It was a very somber film, 564 00:26:02,256 --> 00:26:03,605 and there was nothing campy 565 00:26:03,649 --> 00:26:05,389 about that very first Godzilla film. 566 00:26:05,433 --> 00:26:08,523 It's a very disturbing film, even today. 567 00:26:08,567 --> 00:26:12,005 narrator: In the end, Serizawa kills the monster and himself 568 00:26:12,048 --> 00:26:14,703 taking his lethal invention to his grave. 569 00:26:14,747 --> 00:26:17,793 - [speaking Japanese] 570 00:26:18,968 --> 00:26:22,493 - This was a movie that really caught the zeitgeist of Japan, 571 00:26:22,537 --> 00:26:24,234 postwar Japan, 572 00:26:24,278 --> 00:26:27,063 and it's interesting that none of the other Godzilla pictures 573 00:26:27,107 --> 00:26:28,804 are as serious as the first one. 574 00:26:28,848 --> 00:26:31,894 - [roaring] 575 00:26:31,938 --> 00:26:35,594 - They're all kind of stepping on tanks, you know, basic. 576 00:26:37,508 --> 00:26:39,598 narrator: "Godzilla's" enormous popularity 577 00:26:39,641 --> 00:26:42,383 at the box office brought the monster back to life 578 00:26:42,426 --> 00:26:43,993 for a series of entertaining 579 00:26:44,037 --> 00:26:46,517 but increasingly outlandish sequels. 580 00:26:52,175 --> 00:26:54,047 - With sequel after sequel 581 00:26:54,090 --> 00:26:56,440 and reappearance after reappearance, 582 00:26:56,484 --> 00:26:58,660 uh, Godzilla ultimately became 583 00:26:58,704 --> 00:27:01,315 a kind of a creature of-- of fun. 584 00:27:01,358 --> 00:27:04,492 - [roaring] - [roaring] 585 00:27:04,884 --> 00:27:06,625 - Only then to be, uh, 586 00:27:06,668 --> 00:27:08,627 resurrected as a terrifying monster again. 587 00:27:15,068 --> 00:27:17,548 So it's like there's a pendulum swing 588 00:27:17,592 --> 00:27:19,768 with--with monsters. 589 00:27:19,812 --> 00:27:22,510 narrator: Godzilla used the figure of the monster 590 00:27:22,553 --> 00:27:25,078 as a stand-in for manmade disaster. 591 00:27:25,121 --> 00:27:26,732 ♪ 592 00:27:26,775 --> 00:27:30,518 [crowd screaming] 593 00:27:30,561 --> 00:27:32,781 The same can be said of "Cloverfield." 594 00:27:32,825 --> 00:27:36,132 - [roars] 595 00:27:36,176 --> 00:27:38,352 - "Cloverfield" is probably one of my favorite monster movies 596 00:27:38,395 --> 00:27:39,396 of recent memory. 597 00:27:39,440 --> 00:27:41,268 [group screaming] 598 00:27:41,311 --> 00:27:44,706 Take "Godzilla" but filter it through a found footage movie 599 00:27:44,750 --> 00:27:47,840 and make it feel very grounded and feel very real. 600 00:27:47,883 --> 00:27:49,711 [crowd screaming] 601 00:27:49,755 --> 00:27:51,713 narrator: "Cloverfield" tells the story 602 00:27:51,757 --> 00:27:53,584 of a group of friends trying to survive 603 00:27:53,628 --> 00:27:56,196 a giant monster attack on New York City. 604 00:27:56,239 --> 00:27:59,155 [crowd screaming] 605 00:28:02,115 --> 00:28:05,640 The shaky handheld footage is unmistakably similar 606 00:28:05,684 --> 00:28:08,251 to the videos shot during the terrorist attacks 607 00:28:08,295 --> 00:28:10,558 of September 11th, 2001. 608 00:28:10,601 --> 00:28:13,604 [crowd screaming] 609 00:28:13,648 --> 00:28:17,260 The Cloverfield monster was an all CGI creation 610 00:28:17,304 --> 00:28:19,741 conceived by producer J.J. Abrams 611 00:28:19,785 --> 00:28:22,135 and designed by producer Neville Page. 612 00:28:22,178 --> 00:28:25,051 - J.J. didn't really specify at the beginning anything 613 00:28:25,094 --> 00:28:28,619 other than he wanted it to be large and terrifying. 614 00:28:33,015 --> 00:28:38,238 It's a newborn, and this infant is horrified 615 00:28:38,281 --> 00:28:41,415 and afraid of this new world that's going on around him, 616 00:28:41,458 --> 00:28:44,418 and that gave us motivation to crash into buildings. 617 00:28:44,461 --> 00:28:46,159 As it's turning around, it's clumsy. 618 00:28:46,202 --> 00:28:49,336 It's just starting to develop its ability to walk. 619 00:28:49,379 --> 00:28:51,599 - They just hit! They hit it with-- 620 00:28:51,642 --> 00:28:54,167 Oh, my God! 621 00:28:54,210 --> 00:28:56,299 narrator: Tapping into the memories of the chaos 622 00:28:56,343 --> 00:28:57,997 of the 9/11 attacks 623 00:28:58,040 --> 00:29:00,390 grounded "Cloverfield" in real life horror. 624 00:29:00,434 --> 00:29:02,523 - Oh my God. 625 00:29:04,568 --> 00:29:06,614 narrator: And it gave audiences a safe way 626 00:29:06,657 --> 00:29:09,399 to deal with national trauma. 627 00:29:09,443 --> 00:29:10,705 - As a film maker, as a storyteller, 628 00:29:10,749 --> 00:29:12,402 writer, or whatever it is, 629 00:29:13,229 --> 00:29:15,928 you will be fed with the emotions 630 00:29:15,971 --> 00:29:18,495 of the world you live in at the time, 631 00:29:18,539 --> 00:29:20,802 and it will come out somehow creatively. 632 00:29:20,846 --> 00:29:22,412 Definitely the horror movies in general 633 00:29:22,456 --> 00:29:25,372 and possibly also monsters more specifically 634 00:29:25,415 --> 00:29:27,766 are a product of their world. 635 00:29:33,032 --> 00:29:34,294 narrator: In the paranoid world 636 00:29:34,337 --> 00:29:36,078 of John Carpenter's "The Thing," 637 00:29:36,122 --> 00:29:38,907 anyone can be a monster in disguise. 638 00:29:38,951 --> 00:29:40,604 - Aah! 639 00:29:40,648 --> 00:29:41,867 [horrific musical sting] 640 00:29:46,306 --> 00:29:49,178 narrator: In the early days of movies, 641 00:29:49,222 --> 00:29:52,703 monsters were distorted versions of humans, 642 00:29:52,747 --> 00:29:55,968 actors concealed under incredible makeup. 643 00:29:57,404 --> 00:29:59,362 narrator: By the 1950s, 644 00:29:59,406 --> 00:30:02,452 the state of the art was the full body monster suit 645 00:30:02,496 --> 00:30:05,673 as well as the giant creatures made out of papier-mâché. 646 00:30:05,716 --> 00:30:07,370 ♪ 647 00:30:07,414 --> 00:30:08,676 [horrific musical sting] 648 00:30:08,719 --> 00:30:10,591 [both screaming] 649 00:30:10,634 --> 00:30:15,204 In the 1980s, there was another seismic shift. 650 00:30:15,248 --> 00:30:17,772 New materials let special effects artists 651 00:30:17,816 --> 00:30:21,123 upgrade the rubber monster suits with robotic parts 652 00:30:21,167 --> 00:30:23,386 leading to amazing creations 653 00:30:23,430 --> 00:30:25,519 like Stan Winston's "Pumpkinhead." 654 00:30:29,610 --> 00:30:32,787 And the queen mother in James Cameron's "Aliens." 655 00:30:32,831 --> 00:30:36,182 ♪ 656 00:30:36,225 --> 00:30:37,792 The era's crowning achievement 657 00:30:37,836 --> 00:30:40,012 was John Carpenter's "The Thing"... 658 00:30:40,055 --> 00:30:43,580 - [snarling] 659 00:30:43,624 --> 00:30:45,191 narrator: What many consider 660 00:30:45,234 --> 00:30:48,107 the greatest monster movie of all time. 661 00:30:48,150 --> 00:30:51,545 12 men stationed in an Antarctica weather base 662 00:30:51,588 --> 00:30:54,069 find themselves under siege 663 00:30:54,113 --> 00:30:56,245 by a shapeshifting monster. 664 00:30:56,289 --> 00:31:00,206 It infiltrates the base disguised as a friendly Husky, 665 00:31:00,249 --> 00:31:02,904 but this is a very bad dog. 666 00:31:02,948 --> 00:31:05,907 [dogs barking] 667 00:31:05,951 --> 00:31:07,822 [scary music] 668 00:31:07,866 --> 00:31:10,738 - The creature effects were so mind blowing 669 00:31:10,781 --> 00:31:12,958 and so outrageous 670 00:31:13,001 --> 00:31:16,396 because there were no rules to the monster. 671 00:31:16,439 --> 00:31:19,225 [dogs barking] 672 00:31:19,790 --> 00:31:22,576 - So the first time that the dog goes into the kennel 673 00:31:22,619 --> 00:31:25,927 and splits open and just starts turning into the-- 674 00:31:25,971 --> 00:31:28,277 I didn't even know where to look or what to think. 675 00:31:28,321 --> 00:31:31,672 - [roars] 676 00:31:31,715 --> 00:31:34,631 narrator: Special effects wizard Rob Bottin 677 00:31:34,675 --> 00:31:37,069 created an ever-changing monster. 678 00:31:37,112 --> 00:31:38,897 [skeleton crackling] 679 00:31:38,940 --> 00:31:42,465 An alien shape-shifter that absorbed bits and pieces 680 00:31:42,509 --> 00:31:43,945 of life forms from around the galaxy 681 00:31:43,989 --> 00:31:46,861 and can imitate anything it touches. 682 00:31:46,905 --> 00:31:48,558 - [bellows] 683 00:31:48,602 --> 00:31:50,082 - What's great about that film 684 00:31:50,125 --> 00:31:51,257 and the creature designs in "The Thing" 685 00:31:51,300 --> 00:31:53,912 is the fact that 686 00:31:53,955 --> 00:31:56,218 it's trying to evolve in a very short period of time, 687 00:31:56,262 --> 00:31:58,829 and each version, it's a bit of a mess. 688 00:31:58,873 --> 00:32:01,789 - [roaring] 689 00:32:03,138 --> 00:32:05,010 [chirping] 690 00:32:06,011 --> 00:32:08,230 [screeching] 691 00:32:08,274 --> 00:32:11,320 - And that's also what lends itself to be so horrifying 692 00:32:11,364 --> 00:32:14,062 because if it came out as a fully resolved creature, 693 00:32:14,106 --> 00:32:16,673 I don't think that would've been anywhere near as scary 694 00:32:16,717 --> 00:32:19,459 as these mutations that you felt the pain of it, 695 00:32:19,502 --> 00:32:21,417 even an alien, 696 00:32:21,461 --> 00:32:23,028 that it's assimilating these people. 697 00:32:23,071 --> 00:32:25,900 You felt the pain that it's not quite figured out how to be, 698 00:32:25,944 --> 00:32:27,641 uh, fully resolved. 699 00:32:30,035 --> 00:32:32,124 - [gagging] 700 00:32:32,167 --> 00:32:33,908 narrator: Trapped in a nightmare, 701 00:32:33,952 --> 00:32:36,606 the men are consumed by fear and paranoia. 702 00:32:36,650 --> 00:32:39,348 [overlapping yelling] 703 00:32:39,392 --> 00:32:40,610 narrator: Any one of them 704 00:32:40,654 --> 00:32:42,525 could be the monster in disguise. 705 00:32:42,569 --> 00:32:45,441 - It all kinda deals with the fear of conformity 706 00:32:45,485 --> 00:32:47,530 but also trusting people. 707 00:32:47,574 --> 00:32:49,663 I think that's a thing that a lot of people fear, 708 00:32:49,706 --> 00:32:51,056 you know? 709 00:32:51,099 --> 00:32:53,058 - Trust is a tough thing to come by these days. 710 00:32:53,101 --> 00:32:56,235 - "The Thing," for a film 711 00:32:56,278 --> 00:32:59,064 that has some of the best monster effects of all time, 712 00:32:59,107 --> 00:33:00,804 even by today's standards, 713 00:33:00,848 --> 00:33:03,024 still the most tense scene 714 00:33:03,068 --> 00:33:04,721 revolves around them giving a blood test. 715 00:33:04,765 --> 00:33:08,421 - You see, when a man bleeds, 716 00:33:08,464 --> 00:33:10,771 it's just tissue. 717 00:33:10,814 --> 00:33:12,642 [tense music] 718 00:33:12,686 --> 00:33:14,166 But blood from one of you things 719 00:33:14,209 --> 00:33:16,037 won't obey when it's attacked. 720 00:33:16,081 --> 00:33:20,128 - Because you haven't seen, like, a massive, um, 721 00:33:20,172 --> 00:33:21,608 shapeshifting monster in your lifetime, 722 00:33:21,651 --> 00:33:23,566 but everybody's cut their thumb. 723 00:33:23,610 --> 00:33:25,177 Everybody knows what that feels like. 724 00:33:25,220 --> 00:33:30,225 ♪ 725 00:33:30,269 --> 00:33:33,272 - They're seeing who's the monster, 726 00:33:33,315 --> 00:33:37,015 and that's a beautiful analogy of, you know, life, 727 00:33:37,058 --> 00:33:38,973 like, you know, the banality of evil. 728 00:33:39,017 --> 00:33:41,280 You could--the monster could be sitting right here. 729 00:33:41,323 --> 00:33:43,934 Ted Bundy looked like a normal guy. 730 00:33:43,978 --> 00:33:46,067 - Palmer now. 731 00:33:46,111 --> 00:33:48,635 - The climax is in such a great shock 732 00:33:48,678 --> 00:33:50,898 where they're holding the Petri dish. 733 00:33:50,941 --> 00:33:52,421 It wasn't until I watched it for the third time 734 00:33:52,465 --> 00:33:54,075 that I realized, 735 00:33:54,119 --> 00:33:55,598 "Oh, this is like a fake hand that he's holding," 736 00:33:55,642 --> 00:33:58,427 and it's a fake hand because a monster is gonna go whaaaa 737 00:33:58,471 --> 00:33:59,733 out of the Petri dish. 738 00:33:59,776 --> 00:34:01,952 - We'll do you last. 739 00:34:01,996 --> 00:34:03,737 - [screeches] 740 00:34:03,780 --> 00:34:06,870 ♪ 741 00:34:06,914 --> 00:34:09,569 - I've always been a big proponent of special effects 742 00:34:09,612 --> 00:34:12,050 that are practical, that happen on the set. 743 00:34:15,923 --> 00:34:20,449 In "The Thing" the chest that splits open 744 00:34:20,493 --> 00:34:23,148 really sort of amazed everybody 745 00:34:23,191 --> 00:34:25,106 standing around. 746 00:34:25,150 --> 00:34:26,586 - Clear. - Clear. 747 00:34:26,629 --> 00:34:29,980 - [bellowing] - [screaming] 748 00:34:30,851 --> 00:34:33,897 - As a result, you get a reaction I think, 749 00:34:33,941 --> 00:34:36,074 from the--from the characters and the actors 750 00:34:36,117 --> 00:34:38,119 that is a lot more significant 751 00:34:38,163 --> 00:34:40,034 than if they were just looking at a green object. 752 00:34:40,078 --> 00:34:42,776 [dramatic music] 753 00:34:42,819 --> 00:34:44,647 narrator: For an aggressively violent film, 754 00:34:44,691 --> 00:34:47,563 "The Thing" ends on a note of quiet paranoia-- 755 00:34:47,607 --> 00:34:49,783 two men about to die, 756 00:34:49,826 --> 00:34:52,786 neither one sure if the other is the monster. 757 00:34:52,829 --> 00:34:55,180 - Won't last long though. 758 00:34:55,223 --> 00:34:57,921 - Neither will we. 759 00:34:57,965 --> 00:35:00,924 narrator: "The Thing" is now considered a classic, 760 00:35:00,968 --> 00:35:04,450 but the film's horrific imagery did not go over well 761 00:35:04,493 --> 00:35:06,234 in 1982. 762 00:35:06,278 --> 00:35:08,932 - Well, "The Thing" had the unfortunate bad luck 763 00:35:08,976 --> 00:35:11,935 to come right after "E.T.," 764 00:35:11,979 --> 00:35:14,329 and people were looking for lovable aliens, 765 00:35:14,373 --> 00:35:17,463 and they certainly didn't get any in "The Thing." 766 00:35:20,988 --> 00:35:23,991 I just remember how devastated everybody was 767 00:35:24,034 --> 00:35:26,472 that the picture didn't-- not only didn't it open, 768 00:35:26,515 --> 00:35:28,822 it got bad reviews. 769 00:35:28,865 --> 00:35:30,519 People were saying, you know, 770 00:35:30,563 --> 00:35:32,695 "This is--this is practically pornography, 771 00:35:32,739 --> 00:35:34,219 this is so violent." 772 00:35:34,262 --> 00:35:36,046 Honestly, it's stood the test of time 773 00:35:36,090 --> 00:35:38,005 and now, you know, people have a chance to appreciate it. 774 00:35:38,048 --> 00:35:40,877 - Aah! 775 00:35:40,921 --> 00:35:43,489 narrator: Today the ever-improving quality 776 00:35:43,532 --> 00:35:45,578 of digital effects makes it possible 777 00:35:45,621 --> 00:35:48,015 to bring even stranger monsters to the screen... 778 00:35:48,058 --> 00:35:49,756 - [cries] 779 00:35:49,799 --> 00:35:51,888 narrator: Drawn from the darkest parts of our psyches. 780 00:35:51,932 --> 00:35:53,194 - [roars] 781 00:35:57,242 --> 00:35:59,026 - Stop following me! 782 00:35:59,069 --> 00:36:01,463 - I'm gonna--I'm gonna get you outta here. 783 00:36:06,990 --> 00:36:10,342 narrator: Two recent films, "It Chapter Two..." 784 00:36:10,385 --> 00:36:13,388 - [screams] - [screams] 785 00:36:13,432 --> 00:36:17,523 narrator: And "Scary Stories to Tell in the Dark..." 786 00:36:17,566 --> 00:36:20,221 Are the state of the art of modern monster movies. 787 00:36:20,265 --> 00:36:22,223 - [screams] 788 00:36:22,267 --> 00:36:23,964 narrator: Both tell supernatural stories 789 00:36:24,007 --> 00:36:26,096 about human fear, 790 00:36:26,140 --> 00:36:29,230 and both blend practical effects with computer graphics 791 00:36:29,274 --> 00:36:31,014 to push creature design to the limit. 792 00:36:31,058 --> 00:36:34,235 - [shrieks] 793 00:36:34,279 --> 00:36:37,020 - I know it's kind of in vogue to sort of crap on CG 794 00:36:37,064 --> 00:36:38,587 and just go to practical, 795 00:36:38,631 --> 00:36:40,241 but not all practical effects look great, you know? 796 00:36:40,285 --> 00:36:42,548 So it is finding the balance between the two, 797 00:36:42,591 --> 00:36:44,332 but when you solely rely on one or the other, 798 00:36:44,376 --> 00:36:46,160 I do think they kind of need each other. 799 00:36:46,204 --> 00:36:48,902 narrator: Adapted from the popular children's books, 800 00:36:48,945 --> 00:36:51,818 "Scary Stories to Tell in the Dark" 801 00:36:51,861 --> 00:36:55,430 follows a group of teenagers who break into a haunted house 802 00:36:55,474 --> 00:36:57,650 and discover a book that seems to write itself. 803 00:36:57,693 --> 00:37:00,348 - Oh, my God. 804 00:37:00,392 --> 00:37:02,176 narrator: Over the next five days, 805 00:37:02,220 --> 00:37:04,265 the unlucky teens fall victim 806 00:37:04,309 --> 00:37:07,442 to a rogues' gallery of monsters. 807 00:37:07,486 --> 00:37:10,793 - It has all these amazing creatures 808 00:37:10,837 --> 00:37:14,275 that Stephen Gammell drew for the books, 809 00:37:14,319 --> 00:37:17,322 and we just really made sure 810 00:37:17,365 --> 00:37:20,238 that what we put in the movie was that. 811 00:37:20,281 --> 00:37:22,109 - [screams] - [screams] 812 00:37:22,152 --> 00:37:24,851 - We didn't want to reinvent the wheel here. 813 00:37:24,894 --> 00:37:26,896 narrator: One of the most innovative monsters 814 00:37:26,940 --> 00:37:30,552 in the film is the Jangly Man... 815 00:37:30,596 --> 00:37:34,295 a creature that assembles and reassembles itself. 816 00:37:34,339 --> 00:37:38,343 ♪ 817 00:37:38,386 --> 00:37:41,171 - The Jangly Man was really tough because we had to, like, 818 00:37:41,215 --> 00:37:43,652 he was gonna be so twisty and body parts 819 00:37:43,696 --> 00:37:45,611 and coming together and doing all this and that. 820 00:37:45,654 --> 00:37:48,570 So the combination of real effects, 821 00:37:48,614 --> 00:37:50,877 an amazing contortionist, 822 00:37:50,920 --> 00:37:53,271 and some digital enhancements. 823 00:37:53,314 --> 00:37:54,881 - [snarls] 824 00:37:54,924 --> 00:37:58,276 - To create what we were hoping for--an iconic face 825 00:37:58,319 --> 00:38:01,583 and design, then make that come alive, 826 00:38:01,627 --> 00:38:03,455 and there was a lot of challenges to that. 827 00:38:03,498 --> 00:38:05,021 - [screams] 828 00:38:05,065 --> 00:38:07,241 narrator: The monsters in "Scary Stories" 829 00:38:07,285 --> 00:38:10,766 are all grotesque embodiments of teenage anxiety. 830 00:38:10,810 --> 00:38:12,507 - Aah, aah! 831 00:38:12,551 --> 00:38:13,726 narrator: From being suffocated 832 00:38:13,769 --> 00:38:14,814 by a mother's love... 833 00:38:14,857 --> 00:38:17,120 - [heavy breathing] 834 00:38:17,164 --> 00:38:18,687 narrator: To being disfigured 835 00:38:18,731 --> 00:38:20,515 by the world's angriest pimple. 836 00:38:20,559 --> 00:38:22,343 - [moans] 837 00:38:24,302 --> 00:38:26,347 [screaming] 838 00:38:26,391 --> 00:38:28,567 narrator: Confronting the fears of youth 839 00:38:28,610 --> 00:38:31,787 is also the central theme of "It Chapter Two," 840 00:38:31,831 --> 00:38:35,530 the sequel to Andy Muschietti's 2017 adaptation 841 00:38:35,574 --> 00:38:37,271 of Stephen King's "It." 842 00:38:37,315 --> 00:38:38,925 - [screeches] 843 00:38:38,968 --> 00:38:40,883 - [screams] - Give me fat boy. 844 00:38:40,927 --> 00:38:43,364 [screams] 845 00:38:43,408 --> 00:38:46,498 narrator: The now adult members of the Losers Club 846 00:38:46,541 --> 00:38:48,674 return to the town of Derry, Maine 847 00:38:48,717 --> 00:38:51,459 to do final battle against their childhood nemesis. 848 00:38:51,503 --> 00:38:54,897 - Your dirty little secret... 849 00:38:54,941 --> 00:38:56,856 narrator: Pennywise the clown. 850 00:38:56,899 --> 00:38:59,859 - One-nuh... 851 00:38:59,902 --> 00:39:02,383 narrator: Bill Skarsgard once again 852 00:39:02,427 --> 00:39:04,646 plays the demonic shapeshifter Pennywise. 853 00:39:04,690 --> 00:39:06,909 - You're supposed to say three. 854 00:39:06,953 --> 00:39:09,085 narrator: With the help of CGI, 855 00:39:09,129 --> 00:39:12,175 his body constantly twists and morphs 856 00:39:12,219 --> 00:39:16,049 into terrible new shapes that match his victims' fears. 857 00:39:16,092 --> 00:39:17,485 - [screams] 858 00:39:17,529 --> 00:39:19,661 - I go practical as much as--as I can, 859 00:39:19,705 --> 00:39:21,359 but there's a limit, 860 00:39:21,750 --> 00:39:23,230 and like, a lot of people complain about CG, 861 00:39:23,273 --> 00:39:25,101 but CG can be great 862 00:39:25,145 --> 00:39:28,235 if you bring an original design 863 00:39:28,278 --> 00:39:30,759 and it's, like, executed properly. 864 00:39:30,803 --> 00:39:32,979 - [grunting] 865 00:39:33,022 --> 00:39:34,502 - I tend to draw a lot. 866 00:39:36,591 --> 00:39:40,073 All the creatures that appear in my movies, I sketch first. 867 00:39:40,116 --> 00:39:42,162 - [groaning] 868 00:39:42,205 --> 00:39:45,295 narrator: One creature effect calls back to a famous monster 869 00:39:45,339 --> 00:39:46,688 of the movies. 870 00:39:46,732 --> 00:39:48,037 - I love horror movies. 871 00:39:48,081 --> 00:39:50,083 I love--I grew up loving monster movies 872 00:39:50,126 --> 00:39:52,259 and loving those kind of-- those kind of films, 873 00:39:52,302 --> 00:39:54,217 and I was like, well, if you have a, you know, 874 00:39:54,261 --> 00:39:56,394 head that turns into a spider, 875 00:39:56,437 --> 00:39:57,438 I mean, that's from "The Thing." 876 00:39:57,482 --> 00:39:59,571 - [snarls] 877 00:39:59,614 --> 00:40:01,529 - And Andy was like, "Yeah, yeah, I know, yeah." 878 00:40:01,573 --> 00:40:02,922 And we talked about it, and I was like, 879 00:40:02,965 --> 00:40:06,273 I should say... - You gotta be [...] kidding. 880 00:40:06,316 --> 00:40:09,363 - And I remember we watched it on my phone, 881 00:40:09,407 --> 00:40:11,234 you know, to make sure we got the line right, 882 00:40:11,278 --> 00:40:13,280 and I said it in the right cadence. 883 00:40:13,323 --> 00:40:15,630 You gotta be [...] kidding. 884 00:40:15,674 --> 00:40:19,417 - [laughing] 885 00:40:20,505 --> 00:40:22,245 [screaming] - [roars] 886 00:40:22,289 --> 00:40:24,073 - You're a weak old woman. 887 00:40:24,117 --> 00:40:25,640 narrator: At the epic conclusion 888 00:40:25,684 --> 00:40:27,512 of "It Chapter Two," 889 00:40:27,555 --> 00:40:30,776 the Losers Club finds the monster's Achilles' heel, 890 00:40:30,819 --> 00:40:33,518 and they turn their own fears against him. 891 00:40:33,561 --> 00:40:35,998 [all chanting] 892 00:40:36,042 --> 00:40:37,913 - That's what both "It" movies are. 893 00:40:37,957 --> 00:40:41,090 It's about people living in fear 894 00:40:41,134 --> 00:40:45,312 and what the horrible things we do as--as human beings. 895 00:40:45,355 --> 00:40:47,967 Pennywise is 896 00:40:48,010 --> 00:40:50,186 the representation of fear. 897 00:40:50,230 --> 00:40:52,014 [horrific musical sting] 898 00:40:52,058 --> 00:40:54,016 - [cries] 899 00:40:54,060 --> 00:40:55,757 - [laughs] 900 00:40:55,801 --> 00:40:57,498 - That's why we make movies. 901 00:40:57,542 --> 00:40:59,500 We want to people to see these movies 902 00:40:59,544 --> 00:41:02,198 and try to understand 903 00:41:02,242 --> 00:41:05,637 that that's the worst thing we can do, live in fear. 904 00:41:05,680 --> 00:41:07,508 - [snarls] - [screams] 905 00:41:07,552 --> 00:41:08,988 - [snarls] 906 00:41:09,031 --> 00:41:10,076 - [screams] 907 00:41:10,119 --> 00:41:12,121 - [grunts] 908 00:41:12,165 --> 00:41:14,210 narrator: The monsters of the movies are from outer space... 909 00:41:14,254 --> 00:41:16,169 - [snarls] 910 00:41:16,212 --> 00:41:17,953 - [snarls] 911 00:41:17,997 --> 00:41:20,347 narrator: The creations of magic... 912 00:41:20,390 --> 00:41:22,654 or the products of science gone wrong... 913 00:41:22,697 --> 00:41:25,352 [thunder rolls] 914 00:41:25,395 --> 00:41:29,530 But whatever they look like and wherever they're from, 915 00:41:29,574 --> 00:41:32,577 at heart they are all walking, crawling, 916 00:41:32,620 --> 00:41:35,797 or slithering representations of our very human fears... 917 00:41:35,841 --> 00:41:37,712 - [roars] 918 00:41:37,756 --> 00:41:40,715 narrator: The fears we must face and defeat 919 00:41:40,759 --> 00:41:42,543 less they consume us all. 920 00:41:42,587 --> 00:41:44,110 - [roars] - [roars] 921 00:41:44,153 --> 00:41:45,459 - [snarls] - [screams] 922 00:41:45,503 --> 00:41:47,461 [horrific musical sting] 923 00:41:47,505 --> 00:41:50,420 [eerie music] 924 00:41:50,464 --> 00:41:57,384 ♪